Agenda Oculta Ken Loach Online
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Top reviews from the United States There was a problem filtering reviews right now. Please try again later. Reviewed in the United States on May 21, 2016 Verified Purchase wonderful sad, shocking and disturbing movie about what really goes on in Northern Ireland between Catholics and their treatment by Northern Ireland Protestant atrocities and senseless murders.. based on true story. riveting and shocking. great performances by Frances McDormand, Brad Dourif and Brian Cox. as the English detective. Excellent and informing if you want the truth. Reviewed in the United States on March 25, 2017 Verified Purchase The video conflates the Stalker inquiry into the suspected shoot-to-kill policies of the security forces in Northern Ireland and the rumored plot to remove UK Prime Minister Harold McMillan - suspected of being a Russian agent - from power into a convincing story about conditions on the ground in the SIx Counties during the "troubles". The acting, direction and settings are first-rate and the slow-burn action creates tension throughout the movie.
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It's an odd paradox that, while the 1970s were a Golden Age for paranoid thrillers in the US, Hollywood backed very briskly away from the genre in the next decade. Britain, by contrast, produced a stream of fine conspiracy dramas for cinema and, especially, television, including Edge of Darkness (BBC, 1985), 'In the Secret State' ( Screen Two, BBC, tx. 10/3/1985), Defence of the Realm (d. David Drury, 1986) and A Very British Coup (Channel 4, 1988). Ken Loach 's Hidden Agenda is a late but distinguished addition. The 1980s had been a lean time for Loach, but he bounced back resoundingly with this robust thriller attacking British shoot-to-kill policy in Northern Ireland and corruption at the highest level of government. Hidden Agenda was unveiled at the Cannes Film Festival, where its combative anti-establishment stance caused a tremendous furore among British critics, but where it also won the Jury Prize. Just six months later, the then prime minister Margaret Thatcher, one of the film's main targets, resigned from office.
The film starts with the Orange Day marches of 12 July and gradually darkens into winter as the story unfolds. Its everyday settings are anonymous sales reps' hotels, car parks, and shabby Republican pubs and clubs, rather than the shadowy melodramatic surroundings of classic noir thrillers. One of the most quietly chilling sequences (filmed with hidden cameras) involves an abduction in broad daylight on Central Dublin's O'Connell Bridge, while passers-by barely blink an eye. Sheila Johnston